Sand Opera
Lenten Journey Day 44: My Feet (Flying While Arab) + Josie Setzler
He came to
Simon Peter, who said to him,
“Master, are you going to wash my feet?”
Jesus answered and said to him,
“What I am doing, you do not understand now,
but you will understand later.”
Peter said to him, “You will never wash my feet.”
Jesus answered him,
“Unless I wash you, you will have no inheritance with me.”
Simon Peter said to him,
“Master, then not only my feet, but my hands and head as well.”
“Master, are you going to wash my feet?”
Jesus answered and said to him,
“What I am doing, you do not understand now,
but you will understand later.”
Peter said to him, “You will never wash my feet.”
Jesus answered him,
“Unless I wash you, you will have no inheritance with me.”
Simon Peter said to him,
“Master, then not only my feet, but my hands and head as well.”
--John 13
I find the
synchronicities between daily Scripture and the poems uncanny; both John and my
poem have to do with exposing one’s (dirty) feet! Here, Simon Peter first
refuses to have Jesus wash his feet. After all, he calls Jesus his Master, and
looks up to him with a certain kind of awe. It’s hard to know whether he is
shocked and horrified that Jesus might bend to clean his feet, or whether he secretly
wants him to do it—after all, he asks the question. But then when Jesus says
that he must, or else there is no future between them, Simon Peter offers up not
only his feet, but his hands and head. His whole body, his whole self.
In the poem
below, my taking off my shoes—in the days after the Richard Reid failed
shoe-bombing episode in 2002—became an occasion for a woman to suspect me of
terrorism. FWA: Flying While Arab. I’ve thought about that incident often over
the years, and how I failed to answer her paranoid gaze. The poem became a way
of answering.
Thanks to Josie
Setzler for her commentary!
“The poem with the sticky eyes” by Josie
Setzler
Her gaze widened and neck craned as I
(her eyes) slowly removed (her eyes) my shoes.
As I read
Metres’s poem, I could feel the woman’s eyes sticking to him, just as they
stuck to the words in this sentence. It was all I remembered of the poem at
first reading. This was the poem with the sticky eyes. I could feel them on my
own body as well, even though as a white woman of Dutch ancestry, I knew that
Americans weren’t thinking of me when they repeated Homeland Security’s
warning: “See something, say something.”
Sometimes I’m afraid I’m carrying a
bomb.
Yet it is the
eyes themselves that are the weapon. Penetrating this man’s very sense of
himself, they violate him. Violate…violence…eyes as bombs. The word violate
comes from the Latin violare, “to
treat with violence, outrage, dishonor.” Violare
is thought to be an irregular derivative of vis,
“strength, force, power, energy.” And
now I recall that I am white and those eyes are my eyes. I move through my days
in a mostly white bubble and am barely aware of how I am protected by the ‘vis’
of my whiteness. Maybe my eyes have done a darting, shifting thing when I have
been taken by surprise by someone who looks different from me. Why do my eyes do that?
Later, visiting a Quaker meeting, I sat
among scattered chairs.
Funny that the
poet should mention the scattered chairs. Maybe it’s a relief that they are not
all lined up, focused, like the sight on a gun.
On the shores of breathing, all eyes
shut I waded. Silence our rudder, silence our harbor.
Silence is
another relief. And now we read that the diffused space of silence acts as a
rudder. A rudder gives direction, yet silence’s power to direct is different
from the power of those fiercely focused eyes. Identity finds safe harbor when
silence gives it precious space.
I’m still
puzzling over the poem’s transition from those violating eyes to this Quaker
meeting. I have trusted silence myself for some years now, trying to stay
faithful to a centering prayer practice. Earlier it was Zen. My Zen teacher
used to recommend that we keep our eyes half open, cast down and softly focused
on a spot on the floor in front of us. He asked us to gentle our gaze. Gentling
my gaze is never easy--in any part of my day. I need help. Poetry conspires
with the silence to gentle not only my eyes, but my heart and mind as well. I am deeply grateful.
The lamp of the body is the eye. It
follows that if your eye is clear, your whole body will be filled with light. --Mt 6: 22
2 comments:
I can't help but wonder if you had been seated next to the woman, would she have asked for another seat, stayed and eventually have engaged you in small talk? I also can imagine how unsettling that constant gaze must have been. (Knowing myself, I don't think I could have remained silent had her eyes been on me.) What both of you shared in common was the aisle dividing you. I'm glad you found through your excellent poem a way to breach that divide.
"Silence is another relief," as Josie says in her insightful commentary. It also can make one complicit. It takes both eyes and a voice to speak up, to speak out.
There are indeed three silences--the silencing of the gaze upon me and my own self-silencing, and then the good silence of opening, at the Quaker meeting!
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