Thursday, March 19, 2015
Sand Opera--my attempt to make sense of the post-9/11 years--came out a couple months ago, thanks to Alice James Books.
I'm grateful for the good review from Earl Pike in the Cleveland Plain Dealer, who wrote: "The contrast, a brief moment of tenderness amidst the brutal depositions about war's collateral, is striking. The cumulative effect of Metres' collection, its testimonies and gaps, its forms and disassemblies, is operatic and often incendiary, generally discomforting, and nearly always powerful. It is worth reading, and re-reading, to unearth the buried words."
Thanks as well to Fady Joudah, with whom I had an extended conversation over at Los Angeles Review of Books about Sand Opera. Along the way we discuss quite a bit—including love and politics, Elaine Scarry and the theology of torture, the Oliver Stone Syndrome and American Sniper, empire, the Iraqs I carry, 9/11, Standard Operating Procedures, black sites, docupoetics, trance states, recursion, poems about children, the vital vulnerability of the human body, the openness of ears, the sound of listening, the War Story and its exclusions, the Umbra poets and the Black Arts Movement, Claudia Rankine’s Citizen, RAWI (the Radius of Arab American Writers), and the state of Arab American literature.
This is the beginning:
My hope is that Sand Opera can help be the start to a new conversation about the state of poetry, American life, and the role of Arab American literature in our ongoing cultural and political debate about U.S. foreign and domestic policy regarding the Arab world. We welcome further conversation. More to come....