Further thoughts on the cultural labor of poetry and art. Not merely "is it good?," but "what has it accomplished?"...reviews of recent poetry collections; selected poems and art dealing with war/peace/social change; reviews of poetry readings; links to political commentary (particularly on conflicts in the Middle East); youtubed performances of music, demos, and other audio-video nuggets dealing with peaceful change, dissent and resistance.
Monday, July 23, 2007
"Murder Machine" by Kurt Schwitters
How does power itself become its own justification? How does property itself become a will to violence?
"Murder Machine" by Kurt Schwitters
Welcome, 260 thousand cubic centimeters.
I yours.
You mine,
We me.
And sun eternity glitter stars.
Suffering suffers dew.
Oh, woe you me !
Memorandum:
5,000 mark reward !
A crate is crooked, especially your crate.
There is no more property, only communism still
acknowledges property.
I wilt the reed, for there is no more reed.
I left the clock, for there is no more clock.
1, 2, 3, 4, 5, 6, seven.
Sunday greens warmth.
The elephant.
The fat elephant.
In case more than one person should lay claim to the
reward, we shall retain the rights of distribution
admitting of no appeal.
The magistrate of the royal capital and residence.
I. V. Weber
--Kurt Schwitters
tr. Harriet Watts
in Three Painter-Poets: Arp/Schwitters/Klee
[Baltimore: Penguin Books, 1974]
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