Friday, August 8, 2014

Early Prophetic Opening by George Fox

"And the Lord answered that it was needful I should have a sense of all conditions, how else should I speak to all conditions; and in this I saw the infinite love of God. I saw also that there was an ocean of darkness and death, but an infinite ocean of light and love, which flowed over the ocean of darkness. And in that also I saw the infinite love of God; and I had great openings." from Early Prophetic Openings by George Fox

Wednesday, August 6, 2014

Sergey Gandlevsky poem in audio



My translation of the untranslateable Russian poet Sergey Gandlevsky,Сергей Гандлевский, whose "All at once—things in the corridor" will be part of a future collection in English.
http://www.lyrikline.org/ru/stihotvoreniya/vsyo-razom-veshi-v-koridore-10818#

For more Gandlevsky (in bilingual edition):
To purchase directly from Zephyr Press, go here:
http://www.zephyrpress.org/books_europe.php#kindred
If you're interested in losing more bookstores, you can go here:
http://www.amazon.com/Kindred-Orphanhood-Selected-Gandlevsky-Thoughts/dp/0939010755

Monday, August 4, 2014

Deema Shehabi's "Of Harvest and Flight"

Deema Shehabi is the granddaughter of the former mayor of Gaza, though she grew up in exile and now lives in California. I can think of no other way to honor Palestinians from Gaza, and their predicament, than to quote one as eloquent as Deema.

OF HARVEST AND FLIGHT by Deema Shehabi


Beneath a wet harvest of stars in a Gaza sky,
my mother tells me how orchards
once hid the breach of fallen oranges,
and how during a glowing night

of beseeching God in prayer,
when the night nets every breath
of every prayer,
my uncle, a child then, took flight

from the roof of the house.
The vigilant earth had softened
just before his body fell to the ground,
but still there's no succumbing to flight's abandon;

our bodies keep falling on mattresses,
piles of them are laid out on living room floors
to sleep multitudes of wedding visitors:
the men in their gowns

taunt roosters until dusk,
while women taunt
with liquid harvest in their eyes,
and night spirits and soldiers

continue to search the house
between midnight and three in the morning.
On the night of my uncle's nuptial,
I watch my mother as she passes

a tray of cigarettes to rows of radiant guests
with a fuschia flower in her hair . . . .
Years before this, I found a photograph
of her sitting on my father's lap,

slender legs swept beneath her,
like willow filaments in river light.
His arm was firm around her waist;
his eyes bristled, as though the years of his youth

were borders holding him back
and waiting to be scattered.
Those were the years when my mother
drew curtains tightly over windows

to shut out the frost world of the Potomac;
she sifted through pieces of news
with her chest hunched over a radio,
as though each piece when found

became a story and within it
a space for holding our endless
debris.  But in truth,
it was only 1967, during the war,

three years before I was born . . . .
But tonight, in Gaza beneath the stars,
I turn towards my mother
and ask her how a daughter

can possibly grow beyond
her mother's flight.  There's no answer;
instead she leans over me
with unreadable long-ago eyes

and points to the old wall:
the unbolting of our roots there,
beside this bitter lemon tree,
and here was the crumbling

of the house of jasmine
arching over doorways,
the house of roosters
and child-flight legends,

this house of girls
with eyes like simmering seeds.


© by Deema K. Shehabi
http://www.valpo.edu/vpr/shehabiof.html
http://www.fringemagazine.org/lit/features/deema-shehabi-poet-in-exile/
http://www.press53.com/BioShehabi.html